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Something fake about ‘Ronin’

  • Keanu Reeves, left, and Hiroyuki Sanada in a scene from "47 Ronin." (AP Photo/Universal Pictures, Frank Connor)

There’s the kind of movie that comes riding into theaters on such a prolonged wave of bad buzz — changed release dates, backstage whispers of production troubles and a swelling budget — that the film itself starts to seem beside the point, something to just get out of the way.

That’s the case with “47 Ronin,” an overlong, underwhelming movie hitting theaters that certainly wasn’t worth the wait.

The story opens with a stentorian voice-over announcing that ancient feudal Japan, as history buffs will no doubt be happy to learn, was a time of witchcraft and demons. Kai (Keanu Reeves) — referred to throughout the film as a “half-breed,” though it is somewhat unclear if that is half-Anglo or half-demon — lives in exile in the woods, protected by the benevolent Lord Asano.

After Asano is forced to commit seppuku by the ruling shogun following an incident in which he was bewitched, his faithful samurai, led by Oishi, are cast adrift as masterless Ronin. The evil Lord Kira has eyes on Asano’s daughter, Mika, and eventually Kai, Oishi and the Ronin attempt to save Mika and avenge Asano’s death.

The ad campaign for the film is focused on Reeves, understandably, so one could be forgiven for spending time during the film wondering “Where’s Keanu?” and “Who are all these other people?”

Though Reeves does have a key role, the storytelling and screen time is also very much focused on such performers as Hiroyuki Sanada as Oishi, Tadanobu Asano as Kira, Ko Shibasaki as Mika and Rinko Kikuchi as a treacherous witch. Those expecting all Keanu all the time will be left feeling off-balance.

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